Index

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In case you were wondering why, here is why

Here’s an index page for all the other details. Just click on the song to find out more about who did it and why I choose them and what they did with it.

Burd Ellen – The Highland Widow’s Lament

Alvarius B – Corn Rigs

Andrew Liles – The Landlord’s Daughter

Good Shepherd with Maydo Kay – Gently Johnny

Magpahi – May Pole

The Owl Service & Harriet Bradshaw – The Tinker of Rye

Meg Baird – Willow’s Song

Sophie Cooper – Fire Leap

United Bible Studies – Procession/Chop Chop

Hawthonn – Lullaby

Teleplasmiste – Festival/Mirie It Is

Sharron Kraus – Sing Cuckoo (Summer Is A-Coming In)

David Colohan – Loving Couples/The Ruined Church

Burial Hex – The Masks/Hobby Horse

The Banshees of Bunworth – Searching For Rowan

Michael Begg – Appointment With The Wicker Man

Dean McPhee – Sunset

Available on digital, CD and gatefold double vinyl from our Bandcamp page.

It will also be stocked at the following quality record shops

Monorail Music, Glasgow, Scotland

It will NOT be available from Amazon or any streaming site.

Artwork, design and photography by Richard Wells. Here is his online Big Cartel shop and his Instagram

Mastered by Andrew Liles

Teleplasmiste – Festival/Mirie It Is

Let’s be pedantic, and use its original 13th Century name “Mirie It Is While Sumer Llast”. This and “Sumer Is Icumen In” are both rare examples of 13th Century songs that aren’t psalms.

Teleplasmiste is a collaboration between co-founder of Strange Attractor Press, Mark Pilkington (Raagnagrok, Urthona, The Begotten, Luminous Foundation) and Michael J. York (Coil, The Holy Family, The Stargazer’s Assistant, The Utopia Strong, The Witching Tale) who’s also leant his talents to Current 93, Shirley Collins and Ulver among many others.

Aside from their rich musical pedigree, another thing that excited me about asking them was that Mark appeared in the documentary “Woodlands Dark and Days Bewitched” which planted the seed from which this project grew. Also Strange Attractor Press put out the excellent book “Of Mud and Flame: A Penda’s Fen Sourcebook” which really let me deep dive one of my favorite films.

I felt like Teleplasmiste would be able to do something incredibly radical with the music while at the same time treating it with the greatest respect and reverence.

The result is the longest song on the album, nearly nine minutes long, starting off in a huge swirling abstract whirl of analogue synthesizers and subtle pipes, it builds in intensity before piping out the old refrain in spectacular fashion.

https://wasistdas.bandcamp.com/album/ballads-of-seduction-fertility-and-ritual-slaughter

Andrew Liles – The Landlord’s Daughter

As I looked at the list of songs, this one definitely caused a lot more consideration that most.

Based on a old song collected by Cecil Sharp (according to a contemporary interview with Paul Giovanni the older version was weirder, possibly referring to “The Hostesses Daughter” which while pretty rude isn’t as bawdy as what Shaffer turned it into), its a bunch of old men singing lewdly about a young woman.

In the film its presented in such a jolly manner and in the old version of the film, you’re left wondering if its all just some crude jokes or are they actually intimately familiar with her? However, the DVD age brought us the longer cut found in Roger Corman’s office and we see Lord Summerisle bringing the young man to Willow.

This context makes us look at this song in a different light. It also made me wonder – “What sort of maniac would actually want to cover this?”

Andrew Liles started out as solo artist at the start of the century putting out CDRs but rose to prominence through his work with Nurse With Wound and Current 93. While still a core part of those acts, he’s continued as a solo artist and also worked with the likes of Faust, The Groundhogs [you HAVE to hear his remix of “Split”], Peter Strickland and Maniac (of Mayhem!).

Liles’ version is very fearless, never flinching from the possible disturbing implications of what lies behind the song. In fact, he amplifies them, creating a genuinely horrifying waltz of madness.