Category Archives: Download

Jake Blanchard – Bryophytes

A shimmering fog of globally infused psychedelia, a demented whirl in the fog of all oceans, this album is just exploded with strange color, just like tape art (also by Jake)


The Lamp – False Memory

The first album by The Lamp was a limited edition of less than 15 and in accordance with the artist’s wishes, all masters were permanently deleted. For the follow up album, a download has been permitted but it will only be available while the tape is on sale. Once the tape has sold out, the album will be hidden. It will still be available to re-download for those who bought it, but it will no longer be on sale.

The first album was simply a DJ set that got out of hand and accidentally became something else, but this is the first deliberate album. Side one a strange, scratchy ritual with weird rumbles and mumbles. Side two a stretched out synth symphony. Both tracks apparently have concepts behind them but the artist declines to share them.

Artwork shown here is what was used for the download version. Physical copies were not photographed in line with the artists wishes. Download and cassette both now withdrawn from sale as originally outlined.


Nick Mitchell Maioto – Pino Carrasco


Just like the Makoto album we put out recently, here is another artist caught in the lockdown and something exciting and unexpected happening, Nick’s ideas for the 3rd 111H album met the landscape of his relocated home of Spain and took a few surprise turns in his imagination. Sure, there’s that good time classic rock feel of the cream of 111H but look at the map, look how Africa and Spain almost touch like God and Adam’s fingertips in Michelangelo’s “The Creation of Adam”? Something swept North over the Straits of Gibraltar and touched this record in a way the planned Nashville sessions couldn’t possibly have.Don’t take my word for it, though, listen to James Jackson Toth:

Oh, sure, it’s an outstanding record, one that will silence any doubts anyone might still have about this former psychedelic noisenik’s ability to write and perform rousing, classic-sounding rock and roll songs.

But, see, I’ve been hearing the sketches of these songs for almost an entire year. Because they were originally intended to be recorded for the third One Eleven Heavy album, to be made in Nashville this summer, Nick emailed these tunes to the band members to solicit our feedback and ideas. But then the COVID-19 pandemic hit, and our transatlantic quintet (average bandmember commute: around 2500 miles) had to postpone our recording plans.

By now I’d listened to Nick’s demos a dozen times. I figured out a few cool guitar parts to play to accompany his, learned his arrangements by heart. I was wondering, with excitement, how we were going to pull off some of those crazy time changes and deep layers of percussion. So when Nick told me he was planning to release these songs on a solo album, I knew that I’d probably never get to sing the sweet harmonies on the breezy and exuberant “If I Were A Sawmill,” or get to chug along with the propulsive, crackling “City of Grit,” or jam on the heavy-lidded Doors-meets-Canned Heat choogle of “Ode To What.” In my mind, I’d already claimed these songs for One Eleven Heavy.

Maybe One Eleven Heavy will get to perform some of these tunes live at some point; I dunno. Nick will probably write twelve more just as good or better by the time the five of us finally reconvene to record our third album. But it won’t be these songs; songs that I have grown, over a short period of time, to know intimately, songs I have driven around listening to and singing along with, songs that set an intimidatingly high bar for my own contributions (as yet unwritten) to the One Eleven Heavy record-that-wasn’t. I don’t mind telling you that when Nick sings, on opener “If I Were A Sawmill,” “let’s get on the road tonight,” I get a little lump in my throat. Will we ever get to do this again?

Listen to Pino Carrasco if you must. My prediction is that it’ll be your favorite record of the year. It’s mine, too. But, you know, to hell with this guy. To hell with this insane, impetuous, mischievous, stubborn, charming, gentleman guitar wizard, and a pox on this beautiful and inspiring music that should have been One Eleven Heavy music.

The next time Nick and I have to share a bunk bed in some godforsaken “band hostel”—and I hope very much that we do—I’m totally gonna wait till he falls asleep and then hack his Twitter account and follow a bunch of Christian pop punk bands. Then I’m gonna draw a caricature of the Kool Aid Man on his face.That’ll teach him to make solo albums, the bastard.-James Toth, July 2020- 

Also, to celebrate we made 30 eco-friendly, fair-trade, high quality Belle Canvas t-shirts. Available bundled with the LP or just with a download of the album.


Kawabata Makoto – The Infinity That Wasn’t

To me, there’s always been a world of difference between Kawabata Makoto’s solo work and his group work with Acid Mothers Temple. His solo works have always been minimalist, spiritual, energy accumulating and inward looking, whereas AMT is wild party music, a cosmic outgoing, a burst of great energy. His solo work is avant garde classical folk music whereas AMT are a rock n roll band from the end of the universe.

Then this landed in my inbox and burned that rule down. On “Infinity That Wasn’t” Makoto has become a band, multi tracking his own drums, keys, guitars and electronics. It goes far beyond any convention. The epic opener ending up furious guitar shreds dueling over hypnotic organ riffs like Can replaced Irmin with Philip Glass.

released July 3, 2020

Kawabata Makoto : acoustic & electric guitars, drums, hand clapper, drift box, electric organ

all music by Kawabata Makoto
recorded at Acid Mothers Temple, May – June 2020
produced, engineered and mixed by Kawabata Makoto
mastered by Andrew Liles
cover art by Sarah Coppen at Desert Moon Art

Special edition comes with t-shirt


Bird People – Molting

the much delayed (our fault) WAS40 is here and for a special number like that we needed someone special so here is Bird People again with a stellar 5/6 piece line-up incluidng Eric Arn [Primordial Undermind] and some absolute drop to the floor slowburn psyche rock.

Forget all your troubles and surf the sunset slipstream of this one!

released June 5, 2020

Eric Arn – electric guitar
Roy Culbertson III – drums, percussion, trombone, voice and electric violin
Johanna Forster – electric guitar
Lucas Henao Serna – drums and percussion
Michaela Konrad – accordion
Stefanie Neuhuber – alto sax
Johannes Oberhuber – bass, voice
Ulrich Rois – electric guitar

Recorded April and May 2018 on Olympus LS11 at Studio 7, Vienna, Austria
Mastering by Ulrich Rois
Cover Photography and Layout by Ned Netherwood


David Colohan – Prosperpolder

Our second David Colohan album this month is a more cinematic affair, recalling classic synth soundtracks getting lost in the fog.


David Colohan – Arc of a Snowfall

A blissed-out electronic album from David Colohan (Raising Holy Sparks/United Bible Studies), one of two we release this month, side by side on CDR and digital. David says “Returning from a trip to Istanbul, the skies were clear & Europe was covered in snow. I spent hours gazing at the endless illuminated wilderness below, as if in a dream. Arc Of A Snowfall is an attempt to recapture that feeling.”

Made using Casio MT-400V, Korg MS-20 Mini & modular synthesizer through Binson Echorec EC3, Phonic Digital Echo Chamber PH6070, Shin-Ei ER-23 Echo Reverb Master, Boss Digital Delay DD-6, Boss Digital Reverb RV-5 & Boss RC-20XL Loop Station.

Recorded in Ballymahon, Ireland during February 2015.


Josh Doss – Don’t Let Your Time Pass You By

A tape, yesterdaySinger-songwriter Josh Doss is from Lexington, KY and has spent several years honing his craft and putting out his own CDRs and downloads. Recommended to me by the great James Jackson Toth (who is always right, be it about music shopping, artists or me needing to get glasses), Josh agreed to do a tape for me and put together a band for it. While his songwriting is in the great North American tradition, touching all the greats, his approach to music echoes through the more avant garde side of rock, recalling Velvet Undeground or those classic Spacemen 3 demos that Father Yod put out.

The three piece band sound amazing with a warm, fuzzy, tight sound. There’s some spectacular jammage on tracks like “Come With Me” and “Suspicious” that sounds like Malcolm Mooney-era Can covering California period Fleetwood Mac. It’s a pleasure and a privilege to put this out and I can guarantee you’re going to be hearing more from this guy in the future.

“hazed late-night gems tipping on a fulcrum of damped down boogie blues and sore-throated Americana” – Raven Sings The Blues

This is also WAS34. Its a good number.

David Colohan – Hill Of The Moon

IMG_20160216_172443A very special double cassette release by David Colohan.

David is one of the co-founders of acclaimed Irish collective United Bible Studies and also helms his own Raising Holy Sparks. He also used to record as Agitated Radio Pilot.  He’s always in The Wire these days and just before Christmas he was on a split release with his UBS bandmate Richard Moult

Imagine If Popol Vuh lived in rural Ireland and were in thrall to the local landscape and folklore then this is how it would sound. A hypnotic, devotional work imbued with strange, inexplicable, almost Neolithic atmospheres. It’s bloody wonderful of course and is only a limited edition of 100. Oh, and it comes with a download coupon.


quite simply a modern masterpiece. Atmospheric, evocative and drenched in an earthy beauty” – Grey Malkin, The Active Listener
Something centuries old = mysterious and magical music…” – Fluid Radio