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Tag Archives: Rolf-Ulrich Kaiser
Ash Ra Tempel – Starring Rosi
I’m a fan of a lot of Manuel Göttsching’s music – but Manuel, c’mon! Falling in love isn’t enough to excuse the mostly goofy tunes on this record. “Laughter Loving” sounds as if it was recorded to advertise low-fat yoghurt … Continue reading
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Posted in Uncategorized
Tagged 1973, Dieter Dirks, Harald Grosskopf, Holger Adam, Kosmische Musik, Manuel Göttsching, Rolf-Ulrich Kaiser, Rosi Müller
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Tangerine Dream – Zeit
“György Ligeti on tranquilizers” – That’s the catchphrase I’m returning to when I think about or listen to Tangerine Dream’s “Zeit”. There is this celestial quality to the music, but the heavens above are just a cosmos full of black … Continue reading
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Tagged 1972, Christopher Franke, Dieter Dirks, Edgar Froese, Florian Fricke, Holger Adam, Ohr, Peter Baumann, Rolf-Ulrich Kaiser
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Sternenmädchen – Gilles Zeitschiff
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Tagged 1974, Ash Ra Tempel, Bernd Witthüser, Brian Barritt, Cosmic Jokers, Dieter Dirks, Gille Lettmann, Harald Grosskopf, Hartmut "Hawk" Enke, Jerry Berkers, Jürgen Dollase, Klaus Schulze, Liz Elliott, Manuel Göttsching, Rolf-Ulrich Kaiser, Sergius Golowin, Timothy Leary, Walter Wegmüller, Walter Westrupp
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Sergius Golowin – Lord Krishna Von Goloka
Another classic slice of R.U.K. madness here as he gets a Czech new age guru to step up to the microphone and talk about Krishna. I always imagined it’s one of those albums probably best appreciated by the non-German speaker … Continue reading
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Witthüser Und Westrupp – Trips Und Träume
The combination of singer-songwriter Bernd Witthüser and multi-instrumentalist Walter Westrupp with Rolf Ulrich-Kaiser on production creates a union of esemplastic power. “Trips Und Träume” is the most overtly psychedelic folk entry in the krautrock cannon. The vocals are loud and … Continue reading
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Tagged 1971, Bernd Roland, Bernd Witthüser, Gille Lettmann, Ohr, Renee Zucker, Rolf-Ulrich Kaiser, Walter Westrupp
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Ash Ra Tempel / Timothy Leary – Seven Up
Recorded in Switzerland where LSD enthusiast Leary was hiding, ‘Seven Up’ is skilfully edited from some bluesy acid-soaked recording sessions. It feels like an album born in the post production as Leary-fronted blues sessions give way to wild electronic sound voids before fading … Continue reading