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Tag Archives: Robert Eliscu
Popol Vuh – Seligpreisung
After the surprising change of style with their previous album, “Hosiana Mantra”, Popol Vuh double down on the new sound. Once again Fricke is on piano and harpsichord, oboe player Robert Eliseu is back as is guitarist Conny Veit and … Continue reading
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Tagged 1973, Conny Veit, Daniel Fichelscher, Djong Yun, Florian Fricke, Klaus Wiese, Robert Eliscu
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Djong Yun – Du sollst lieben / Ave Maria
Djong Yun (daughter of the famous composer Isang Yun) contributed vocals to Popol Vuh records such as “Hosianna Mantra” and “Einsjäger & Siebenjäger”, for example. And maybe most Krautrock fans know her from performing “Kyrie“ together with Popol Vuh on … Continue reading
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Tagged 1972, Bettina Fricke, Conny Veit, Djong Yun, Florian Fricke, Holger Adam, Klaus Wiese, Robert Eliscu, United Artists
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Between – Einstieg
One of the most wonderfully ridiculous things about Krautrock is the wide variety of music that ends up shoved in that section of the record shop and Between is a fine example. Formed by two German students of composition and … Continue reading
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Tagged 1971, Cottrell Black, Jimmy J. Galway, Peter Michael Hamel, Robert Eliscu, Roberto Détrée, Ulrich Stranz, Wergo
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Popol Vuh – Brüder des Schattens, Söhne des Lichts / Nosferatu
These are the two records that both contain the same music: the original soundtrack to Werner Herzogs “Nosferatu”, both released on Brain records in 1978 – actually it is one release with one catalogue-number but two different covers. (There’s also … Continue reading
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Tagged 1978, Alois Gromer, Brain, Daniel Fichelscher, Florian Fricke, Gerhard Augustin, Holger Adam, Robert Eliscu, Ted De Jong
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Between – And The Waters Opened
Between was named Between because the music they made was sitting between the chairs back then and was reaching far beyond genre borders or the traditional segregation of E- and U-Musik (E for “ernst” / serious, U für “unterhaltende” / … Continue reading
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Tagged 1973, Cotch Black, Duru Omson, Holger Adam, Peter Michael Hamel, Robert Eliscu, Roberto Détrée, Ulrich Kraus, Vertigo
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Popol Vuh – Hosianna Mantra
After the previous years deeply electronic “In Den Gärten Pharaos”, Florian Fricke decided to take a radical detour with “Hosianna Mantra” and used no electronic instruments. Album opener “Ah!” begins with just the sound of him playing the piano and … Continue reading
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Tagged 1972, Conny Veit, Djong Yun, Florian Fricke, Fritz Sonnleitner, Klaus Wiese, mellow, Pilz, Popol Vuh, Robert Eliscu
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Popol Vuh – Aguirre
When I first started collecting the music of Popol Vuh, I skipped over their soundtrack work and concentrated on their “regular” studio albums. My logic for treating their soundtracks as poor relations was I had seen ‘Aguirre’ a few years … Continue reading
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Tagged 1975, Daniel Fichelscher, Djong Yun, electronic, Florian Fricke, Holger Trülzsch, Ohr, Popol Vuh, Robert Eliscu
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