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Tag Archives: Florian Fricke
Popol Vuh – Seligpreisung
After the surprising change of style with their previous album, “Hosiana Mantra”, Popol Vuh double down on the new sound. Once again Fricke is on piano and harpsichord, oboe player Robert Eliseu is back as is guitarist Conny Veit and … Continue reading
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Tagged 1973, Conny Veit, Daniel Fichelscher, Djong Yun, Florian Fricke, Klaus Wiese, Robert Eliscu
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Popol Vuh – Affenstunde
It begins with the sound of a sunny day for a few moments and then after a big splash and a few drips we go down the electronic rabbit hole into a listening wonderland. For their debut album, Popol Vuh … Continue reading
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Tagged 1970, Bettina Fricke, Florian Fricke, Gerhard Augustin, Holger Trülzsch, Liberty
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Djong Yun – Du sollst lieben / Ave Maria
Djong Yun (daughter of the famous composer Isang Yun) contributed vocals to Popol Vuh records such as “Hosianna Mantra” and “Einsjäger & Siebenjäger”, for example. And maybe most Krautrock fans know her from performing “Kyrie“ together with Popol Vuh on … Continue reading
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Tagged 1972, Bettina Fricke, Conny Veit, Djong Yun, Florian Fricke, Holger Adam, Klaus Wiese, Robert Eliscu, United Artists
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Popol Vuh – Brüder des Schattens, Söhne des Lichts / Nosferatu
These are the two records that both contain the same music: the original soundtrack to Werner Herzogs “Nosferatu”, both released on Brain records in 1978 – actually it is one release with one catalogue-number but two different covers. (There’s also … Continue reading
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Tagged 1978, Alois Gromer, Brain, Daniel Fichelscher, Florian Fricke, Gerhard Augustin, Holger Adam, Robert Eliscu, Ted De Jong
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Florian Fricke – Die Erde und ich sind eins
“I travel once a month somewhere in Germany and sing with people. I’ve been doing that for eight years now, in a choir. You could label it as ‘body-space-music’ (Körperraummusik) where you sing inside the body and take it in … Continue reading
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Tagged 1983, Florian Fricke, Holger Adam, Lorck Publication München
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Tangerine Dream – Zeit
“György Ligeti on tranquilizers” – That’s the catchphrase I’m returning to when I think about or listen to Tangerine Dream’s “Zeit”. There is this celestial quality to the music, but the heavens above are just a cosmos full of black … Continue reading
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Tagged 1972, Christopher Franke, Dieter Dirks, Edgar Froese, Florian Fricke, Holger Adam, Ohr, Peter Baumann, Rolf-Ulrich Kaiser
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Gila – Bury My Heart At Wounded Knee
Originally based in Stuttgart Conny Veit’s Gila had already recorded a more rocking psychedelic first album with a different line-up when Veit was invited to Munich to record “Hosianna Mantra” for Florian Fricke’s Popol Vuh. Hanging around frequently at Amon … Continue reading
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Tagged 1973, Conny Veit, Daniel Fichelscher, Florian Fricke, Holger Adam, Sabine Merbach, Warner Bros
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Popol Vuh – Herz aus Glas
Tradition has it that most of the actors were hypnotized during the shooting of “Herz aus Glas”. Popol Vuh’s music is the perfect equivalent to Werner Herzog’s mesmerizing movie. From the first single notes of “Engel der Gegenwart” to the … Continue reading
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Tagged 1977, Brain, Daniel Fichelscher, Florian Fricke, Holger Adam, Mathias von Tippelskirch, Renate Knaup
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Popol Vuh – Hosianna Mantra
After the previous years deeply electronic “In Den Gärten Pharaos”, Florian Fricke decided to take a radical detour with “Hosianna Mantra” and used no electronic instruments. Album opener “Ah!” begins with just the sound of him playing the piano and … Continue reading
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Tagged 1972, Conny Veit, Djong Yun, Florian Fricke, Fritz Sonnleitner, Klaus Wiese, mellow, Pilz, Popol Vuh, Robert Eliscu
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