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Tag Archives: Daniel Fichelscher
Amon Düül II – Wolf City
Among my personal acquaintances of the musical kind, everyone seems to have the first two albums but after that commitment seems to wain for many which is damn weird as here we are on album #4 and the force is … Continue reading
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Tagged 1972, Chris Karrer, Daniel Fichelscher, Falk-Ulrich Rogner, John Weinzierl, Lothar Meid, Renate Knaup
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Popol Vuh – Seligpreisung
After the surprising change of style with their previous album, “Hosiana Mantra”, Popol Vuh double down on the new sound. Once again Fricke is on piano and harpsichord, oboe player Robert Eliseu is back as is guitarist Conny Veit and … Continue reading
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Tagged 1973, Conny Veit, Daniel Fichelscher, Djong Yun, Florian Fricke, Klaus Wiese, Robert Eliscu
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Popol Vuh – Brüder des Schattens, Söhne des Lichts / Nosferatu
These are the two records that both contain the same music: the original soundtrack to Werner Herzogs “Nosferatu”, both released on Brain records in 1978 – actually it is one release with one catalogue-number but two different covers. (There’s also … Continue reading
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Tagged 1978, Alois Gromer, Brain, Daniel Fichelscher, Florian Fricke, Gerhard Augustin, Holger Adam, Robert Eliscu, Ted De Jong
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Gila – Bury My Heart At Wounded Knee
Originally based in Stuttgart Conny Veit’s Gila had already recorded a more rocking psychedelic first album with a different line-up when Veit was invited to Munich to record “Hosianna Mantra” for Florian Fricke’s Popol Vuh. Hanging around frequently at Amon … Continue reading
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Tagged 1973, Conny Veit, Daniel Fichelscher, Florian Fricke, Holger Adam, Sabine Merbach, Warner Bros
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Popol Vuh – Herz aus Glas
Tradition has it that most of the actors were hypnotized during the shooting of “Herz aus Glas”. Popol Vuh’s music is the perfect equivalent to Werner Herzog’s mesmerizing movie. From the first single notes of “Engel der Gegenwart” to the … Continue reading
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Tagged 1977, Brain, Daniel Fichelscher, Florian Fricke, Holger Adam, Mathias von Tippelskirch, Renate Knaup
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Popol Vuh – Aguirre
When I first started collecting the music of Popol Vuh, I skipped over their soundtrack work and concentrated on their “regular” studio albums. My logic for treating their soundtracks as poor relations was I had seen ‘Aguirre’ a few years … Continue reading
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Tagged 1975, Daniel Fichelscher, Djong Yun, electronic, Florian Fricke, Holger Trülzsch, Ohr, Popol Vuh, Robert Eliscu
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