Amon Düül II – Yeti

Yeti the dog meets Yeti

Yeti the dog meets Yeti

“Yeti” is an iconic album in every sense. It ticks all the right boxes from its cover artwork, which adorned the front of Julian Cope’s scene-stirring book “Krautrocksampler” to the timeless songs that regularly find their way into my DJ sets because they always please the people. It is a classic all the way and not just within its genre. The website, which claims to have aggregated over 20,000 different greatest albums charts, puts it at 43 in its chart for 1970, which may not sound particularly high until you consider who else was releasing albums in that year. It ended up between The Rolling Stones and Joni Mitchell.

Hitting the ground running, it opens up with the frenetic rhythms of the thirteen minute “Soap Shop Rock” cycle. It is described as being four songs but feels like one long ever shifting song and even ends with the same breakdown it began with. Chris and Renate share the lead vocals and shifting gear all the time, their voices ghostly and almost operatic.

Side two opens with the timeless “Archangels Thunderbird”, a storming rock song that makes you want to grab your hairbrush and sing into it while shaking your butt to those chunky drums. However, the next song “Cerberus” is a guitarists bonanza with all the stringers furiously strumming away like an amphetamine American primitive with bongos. Nothing can quite prepare you for the psychedelic Dalek explosion of “Eye-Shaking King” with its guitar intensity and crashing rhythms.

People often talk about Can’s “Tago Mago” as being a radical format for an album but here a year earlier we have the exact same thing: a double LP with one the first record featuring more conventional song based music and the second disc featuring just wild improvisations. OK, the second disc of “Yeti” has nothing as paint-strippingly nuts as “Aumgn” but it is all improvised jams and sees them getting their furthest from tradition and harkening more to the original Amon Düül with even a few members of the other collective joining in for the final jam, “Sandoz in the Rain”.

Sumptuous vinyl and CD reissues of “Yeti” have been in abundance ever since a new generation discovered the innovative 1970’s German music scene so you really should have at least one copy of this album in your collection. It is no exaggeration to describe “Yeti” as a cornerstone of the German cosmic sound.

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